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Join artist and author, Ann Murdy, for a discussion of the traditions of Día de los Muertos, how it is celebrated in three rural communities in Mexico and that being the inspiration of Murdy’s book On the Path of Marigolds: Living Traditions of Mexico’s Day of the Dead.
Wednesday, October 21st, at 6PM
Register for this event here: https://tinyurl.com/yxwstdoa
Program will be held on Zoom and recorded for later posting to YouTube and Facebook. Please turn off your camera if you do not consent to your image being recorded.
On the Path of Marigolds received the Gold Award with the Foreward INDIES book awards for best book of the year (2019) in the category of adult nonfiction, multicultural and received the 2020 Honorable Mention with the International Latino Book Awards in the art category.
Photographer Ann Murdy has been documenting the celebrations around Day of the Dead (Día de los Muertos) in Mexico for more than twenty years. A native of Los Angeles, she first started collecting Chicano art in the 1990s and was drawn to Mexico by the vibrancy of its culture and traditions. She loved the rich colors she found everywhere such as the flowers adorning the ofrendas or altars to the dead to the dusky yellow of the marigolds lining pathways leading to the ofrendas in both private homes and cemeteries.
As Murdy’s hauntingly beautiful images show, in Mexico death is considered a part of life and something to be celebrated rather than feared. El día de los muertos (which actually lasts two days on November 1–2) is a time to gather with friends and families to feast, pray, dance, and honor the lives of those who have died. From the preparation of the food and flowers to the sanctification of the public and private spaces, to the ceremony itself, Murdy captures the spirit, beauty, and magic of this sacred observance.
On the Path of Marigolds features ninety of Murdy’s most stunning images of celebrations from three villages—Teotitlán del Valle in Oaxaca, Huaquechua in Puebla, and the communities around Lake Pátzcuaro in Michoacán—along with a conversation between her and Cesáro Moreno, Director of Visual Arts and Chief Curator of the National Museum of Mexican Art in Chicago, and an essay by Mexican-American writer Denise Chávez.